Tinnitus Atlas
Tinnitus Atlas · Pathophysiology of Tinnitus · Module 01

1Pathophysiology Overview — A Peripheral Trigger, A Central Disease

Tinnitus begins in the cochlea but is generated and sustained by the brain. This chapter opens with the two-stage logic that organises everything that follows: a peripheral trigger lights the fuse, and the central nervous system makes and keeps the percept.

FThe two-stage idea

For most of the twentieth century tinnitus was hunted in the ear, on the assumption that a phantom sound must have a sound-generating source. That search largely failed, and a more powerful framework replaced it: tinnitus is a two-stage disorder [2004]. In the first stage a peripheral trigger — usually a loss of cochlear input — disturbs the balance of activity entering the auditory brain. In the second stage the brain itself responds, and that response is what we hear.

The clinically important consequence is that the ear lights the fuse but the brain holds the flame. Cutting the auditory nerve after tinnitus is established rarely abolishes it, and many patients have tinnitus with an audiogram that looks normal . The generator has moved centrally.

TMaladaptive neuroplasticity

The central response is not random; it is the auditory system trying to defend its own activity level. When afferent drive falls, neurons up-regulate their excitability to restore a homeostatic set-point — a process of central gain [2014]. The same plasticity that lets a healthy brain adapt to a quiet room becomes maladaptive here: gain is turned up on a missing signal, and internal neural noise is amplified until it crosses into perception [2011].

This reframes tinnitus as a disorder of plasticity rather than of the cochlea alone — a maladaptive form of the brain’s normal capacity to change [2016]. It also explains why a single peripheral insult produces different outcomes in different people: the percept depends on how the brain reacts, not only on how much input was lost.

The two-stage model: trigger to percept

Peripheral triggerCentral diseasefuse litNoise / age / ototoxicityOHC + IHC + ribbon-synapse lossReduced afferent driveHomeostatic up-regulation (central gain)Spontaneous hyperactivity + synchrony (DCN, IC, A1)Conscious phantom perceptLimbic / attention amplification → distressEar lights the fuse; brain holds the flame.

Tinnitus begins as a peripheral lesion but is sustained centrally by gain, hyperactivity and a self-reinforcing limbic loop — a peripheral trigger and a central disease. Schematic.

TWhy loudness is not the audiogram

A recurring clinical paradox is that tinnitus loudness correlates poorly with the degree of hearing loss. Patients with mild thresholds can have severe tinnitus, and patients with profound loss may have none. This dissociation is expected once tinnitus is understood as a central, gain-driven phenomenon: what matters is the change in drive and the brain’s reactive amplification, not the absolute threshold [2010].

Distress dissociates even further from the acoustics. Emotional and attentional networks decide how intrusive the percept becomes, so loudness and bother are separable dimensions [1990]. Treatment that never changes the sound’s measured loudness can still transform the experience.

Tinnitus loudness does not track hearing loss

02468100306090loudness (0–10)mean hearing loss 0.5–8 kHz (dB HL)mild loss, severe tinnitussevere loss, mild tinnitus

Across patients, perceived loudness correlates only weakly with audiometric loss (r ≈ 0.15 here) — loudness reflects central gain, not threshold. Illustrative.

FMap of the chapter

The chapter walks the signal from periphery to perception. We begin with the peripheral generators — hair-cell and synapse loss — then trace the central consequences: spontaneous hyperactivity, synchrony and bursting, the dorsal cochlear nucleus as an early generator, central gain, tonotopic reorganisation, and thalamocortical dysrhythmia [2014].

From there the story becomes a network. Auditory cortex, limbic and emotional circuits, and attention/salience systems are added, then integrated by predictive-coding and neuropathic-pain frameworks, and finally by the unifying models that connect mechanism to treatment [2016]. Reading the chapter in order is reading the signal’s journey.

Chapter roadmap: from cochlea to perception

periphery → perception1Overview2Peripheral generators3Spontaneous hyperactivity4Synchrony & bursting5DCN generator6Central gain7Tonotopic reorganisation8Thalamocortical dysrhythmia9Cortex & resting networks10Limbic / emotional11Attention / salience / DMN12Predictive coding13Pain parallel14Imaging evidence15Unifying modelsPeripheryBrainstemCortexNetworkSynthesis

The 15 modules ascend the auditory system from cochlea to perception, grouped by level. Schematic.

CWhat this means at the bedside

The two-stage model carries direct clinical messages. Because the periphery is the trigger, restoring input — hearing aids or a cochlear implant — can reduce tinnitus in some patients by lowering central gain [2014]. Because the brain sustains the percept, therapies that retrain central activity (sound therapy, neuromodulation, counselling) have a rational target even when the ear cannot be repaired [2016].

And because loudness, generation and distress are separable, evaluation must measure more than thresholds. A normal audiogram does not exclude a real, mechanistically grounded tinnitus — it simply means the relevant lesion may be hidden, deeper, or already central .

Case 2.1
A 34-year-old sound engineer reports constant high-pitched ringing for 6 months after a single loud concert. His standard pure-tone audiogram (0.25-8 kHz) is entirely within normal limits in both ears, and he is frustrated that he has been told 'your hearing is normal, there is nothing wrong.'

Which explanation best fits current pathophysiology?

Self-assessment — Module 13 questions
Question 1 · Foundation

The 'two-stage' model of tinnitus proposes that:

Question 2 · Trainee

Central gain in tinnitus is best described as:

Question 3 · Clinician

Why does tinnitus loudness correlate poorly with the audiogram?

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